âSpencer Kornhaber:â
ââUp until this point, the stakes in this place havenât been real,â the Man in Black says to his dim sidekick, and his observation applies to Westworld as much as to Westworld. For the most part, intellectual curiosity rather than emotional investment has been viewersâ primary drive. â
âYet tonightâs refreshingly informational episode widened the showâs scope, and with it, the reasons to become obsessed.â
âWestworld, we learned, exists in a world resembling our ownâsomewhere near a coastal metropolis (more fodder for the theory that the park is in the South China Sea?), and some time probably not too distantly in the future (are we not currently at the investment stage of âAI, AR, VRâ?).â
âThe project is mysteriously tied in with, per Logan Delos (Ben Barnes), the health of our âspecies,â and Dolores has sought out a âweaponâ to destroy us all. So in a way, weâre now in a Marvel movie: Humankind itself hangs in the balance!â
âThe encounter between Maeveâs and Doloresâs crews neatly illustrated that the newly conscious robots will differ on philosophy, motivation, and technique just as we humans do.â
âSophie Gilbert:â
âWestworld gratifies the darkest fantasies of the parkâs visitors and then uses their information to ⌠do something bad, probably. This is a tech company weâre talking about! â
âThere was something thrilling in seeing the earliest phases of Westworld as a business, and also experiencing the world outside the park for the first time, both for the audience and for Dolores. â
âMore depressing, though, was seeing once-sweet William become his sadistic future self, with Jimmi Simpson portraying the characterâs awfulness for the first time. Not only did he specifically bring Dolores to the real-world party celebrating his âcoronationâ as the new head of Delos (putting her in front of his wife and daughter), he proceeded to strip her naked and then berate her for failing to sufficiently redeem him. âYou really are just a thing,â he told her, nastily. âI canât believe I fell in love with you.â What saved him, he went on, was realizing that Dolores wasnât a person but a âreflection,â a device in which William could discover things about himself for the first time.â
âRobot, meet toxic masculinity.â
âthereâs something fascinating in how âReunion,â by stepping outside the park, was able to comment more explicitly on contemporary questions about morality when it comes to technologyâ
âDavid Sims:â
ââReunionâ turned what could have been a boring infodump into something a little more oblique. â
âThe new âgameâ Ford has designed for old William, titled âThe Door,â seems to be an experience designed to remind him of this pointlessness. â
âHow else to interpret that circular conversation with El Lazo (which, letâs not forget, is Spanish for âlasso,â or loop) and the image of all of his henchmen shooting themselves and falling into a perfect circle around him.â
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