âSophie, I agree on âArkangel,â which I initially admired for its indie-movie approach, though it couldnât follow through on the advantages of that form. â
âFor the episode to work, I needed to be invested in the mother-daughter relationship, which Jodie Fosterâs direction tried to enhanceâthe story was very light on dramatics and pretty real.â
âBut I donât know if Iâve ever been as frustrated by an episode of Black Mirror as I was by âCrocodile,â a miserable hour that left me both emotionally and intellectually unfulfilled.â
âIâd be willing to venture that my appetite for pure nihilism has diminished in recent yearsâpartly because so many shows have explored that territory in the prestige-TV era, and partly because the real world has felt so bleak of late. â
âBut I donât think that was my only problem with âCrocodile.â It is, undoubtedly, relentlessly depressing. And yet it also didnât seem to have much of a deeper point.â
âAfter dominating the first part of âCrocodile,â Mia disappears from the action until the final act, but her one-dimensional heartlessness looms over the whole thing.â
âThe other storyline is far more engaging, almost by default, and much more focused on process in a way that many tech-centered Black Mirror episodes are.â
âIâve always liked Brookerâs skill with worldbuilding, and explaining how each episodeâs fanciful technology works, be it the transactional universe of âFifteen Million Meritsâ or the augmented reality of âMen Against Fire.â â
âIn âCrocodile,â the new tech is a sort of memory reader, a receiver that someone can pop onto your forehead to visualize whatâs going on in your noggin on a dinky little television. It isnât exact, and it involves triggering your recollections via specific sensations (like sounds or smells), but itâs a way to reconstruct a crime scene by consulting the viewpoints of every possible witness.â
âI did enjoy watching Shazia put things together, methodically but with empathy and care; her character was a fundamentally decent person despite having truly powerful technology at her disposal, which is a rarity in the world of Black Mirror.â
âPerhaps Brooker is trying to suggest that intense surveillance creates crime as much as it stops it.â
âThatâs an argument Iâd be happy to hear more about, but it would need to be centered on a character whose pathology makes more sense than Miaâs.â
âThe lead of âCrocodileâ is too nakedly evil, too lacking in redeeming features, to make that idea remotely compelling. â
âWere you as disappointed and grumpy as I apparently am, Sophie?â
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