âDavid, I loved âUSS Callisterââitâs my favorite of all the new episodes. Youâre smart to observe how it starts with this mopey clichĂ© of a lonely coder, encouraging you to sympathize with him, and then flips it on its head, showing the darkness of his walled-in fantasy world. â
âItâs also interesting how the technology in the episode appears to nod back to âWhite Christmasâ and its cookies.â
âBlack Mirror seems as compelled by the idea of the carbon-copied soul as ever, but if it was surprisingly bullish about the concept in âSan Junipero,â âUSS Callisterâ reinforces the argument that humans are too frail to be trusted with such godlike powersâthat theyâre inevitably going to abuse them.â
âI was excited for âArkangel,â which combines a potent premiseâsee what your kid is seeing!âwith Jodie Foster, who directs, and Rosemarie DeWitt, who stars. But it feels like one of those lightbulb ideas of Charlie Brookerâs that sputters and dies in the execution, a bit like last seasonâs âPlaytest.ââ
âAgain, the technology nods back to âWhite Christmas,â in which people can blur out other humans they donât want to see, and where convicted criminals like Jon Hammâs character appear with a bright red aura to signal their potential danger to the community. â
âFar more interesting to me was the episodeâs subtext about what kids already have access to. â
âWhen young Saraâs chip is turned off, a kid in her class shows her hardcore porn and execution videos on his iPad with disturbing nonchalance. â
âLater, in her first sexual encounter, Sara mimics the women sheâs seen in pornography, horrifying her mother, whoâs turned on the long-dormant Arkangel device to find out where her daughter is.â
âThe impact of this kind of instant access to adult imagery is as novel as the implant is, and as unclear. But the episode seems more concerned with lining up a tidy parable about helicopter parenting than peeking into the prospects of the nearer-present.â
âWhile other Black Mirror episodes have become Insta-friendly dystopias, situated in pastel-colored paradises with picture-perfect details, âArkangelâ is notable for its humdrum aesthetic, more like the hometown a soldier returns to in âMen Against Fire.ââ
âIf Black Mirror is set in one distinct universe, as Seasons 3 and 4 seem to suggest, the cities of the future remain fairly removed from each other, visually. â
âWeâll inevitably all disagree on which Black Mirror episode is the best, but the ones that seem to gratify fans the most tend to allow some goofiness into the premise.â
ââUSS Callisterâ was no less enthralling or psychologically rich for playing around with monsters and riffing on the â60s format of the space series, and the joke buried at the end of âSan Juniperoâ was a Belinda Carlisle song. But episodes like âWhite Bearâ and âShut Up and Danceâ are unrelentingly bleak, and âArkangel,â if less nightmarish, didnât offer much in the way of consolation.â
âWhat did you make of it, David? And how do you interpret the ways in which the Black Mirror universe has taken shape?â
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