âGame of Thrones is in many ways a show about faith: in gods, in others, in oneself.â
âBut it also demands, as any such show will, another kind of faithâin storytelling.â
âauthorship. In the universe that is being constructed as a setting for the other thingsâa universe full of its own authors.â
âWho knows, in this world, things others do not?â
âWho decides how the stories will play out, and how the games will be played?â
âThe Lord of Light, and the Three-Eyed Raven, and Bran, and Hodor, and time travel, and resurrections, and dragons, and magic: Their presence has made Game of Thrones not just a work of fantasy, but also, in its way, a work of logic. This is a universe with its own rules to be obeyedâand, for the audience, its own disbeliefs to be suspended.â
âIt has been fantasy that has, against all odds, made sense.â
âAgain and again, fate, which is to say the showâs authors, collectively, intercedes.â
âShowrunners are their own kinds of gods; they tell their own kinds of truths.â
âThis is a season, after all, that has at times seemed almost overly aware of Thronesâs success as a cultural phenomenon.â
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