âA reading list of these early stories includes works of varying canonicity, such as Thomas Moreâs Utopia (1516), Francis Baconâs New Atlantis (1627), Johannes Keplerâs Somnium (1634), Margaret Cavendishâs The Blazing World (1666), Henry Nevilleâs The Isle of Pines (1688), and Jonathan Swiftâs Gulliverâs Travels (1726).â
âThough obscure today, Godwinâs The Man in the Moone captivated 17th-century readers with its tale of a Spaniard who travels in a ship powered by geese.â
âThe French author Savinien de Cyrano de Bergerac poked fun at the book in his satirical 1657 novel, The Other World.â
âEdgar Allen Poe referenced the novel in his 1835 story âThe Unparalleled Adventures of One Hans Pfaall.ââ
âH.G. Wellsâ 1901 novel, The First Men in the Moon, was directly inspired by Godwin.â
âEven more provocative when it was first published was The Blazing World, by the first woman in the Royal Society, Margaret Cavendish.â
âGodwin, Cavendish, and their contemporaries are important for generating a freely speculative space of imaginationâwhich is still science fictionâs role today. In constructing worldsâor birthing âpaper bodies,â as Cavendish called themâthe authorsâ acts of envisioning possible futures had a tangible impact on how reality took shape.â
âEven before science had fully defined itself, literature offered a means for thinking about science.â
âScience fiction has since been the social laboratory of visionaries like Ursula K. LeGuin, Samuel Delaney, Margaret Atwood, Philip K. Dick, and Octavia Butler.â
âTheir imaginations didnât always require empirical discoveries to have happened first; their fancies were written in the poetry of delight and wonder, before being confirmed in the prose of experiment and logic.â
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