âA spectrometer does not perceive blue. So what then, does it mean to be âconsciousâ of colour?â
âFirst coined in 1995 by the Australian philosopher David Chalmers, this âhard problemâ of consciousness highlights the distinction between registering and actually feeling a phenomenon. Such feelings are what philosophers refer to as qualia: roughly speaking, the properties by which we classify experiences according to âwhat they are likeâ.â
âIn 2008, the French thinker Michel Bitbol nicely parsed the distinction between feeling and registering by pointing to the difference between the subjective statement âI feel hotâ, and the objective assertion that âThe temperature of this room is higher than the boiling point of alcoholâ â a statement that is amenable to test by thermometer.â
âA slew of books over the past two decades have proffered solutions to the âproblemâ of consciousness. Among the best known are Christof Kochâs The Quest for Consciousness: A Neurobiological Approach (2004); Giulio Tononi and Gerald Edelmanâs A Universe of Consciousness: How Matter Becomes Imagination (2000); Antonio Damasioâs The Feeling of What Happens: Body and Emotion in the Making of Consciousness (1999); and the philosopher Daniel Dennettâs bluntly titled Consciousness Explained (1991).â
âFor medieval Europeans, subjectivity extended beyond the grave. And that was the point. Self-awareness wasnât an end in itself, it was a mechanism by which humans with their eternal souls were embedded in a cosmic scheme linking everything to an Ultimate Good. Heaven and Earth were two separate yet intertwined domains of human action. Medieval cosmology was thus inherently dualistic: the physical domain of the body had a parallel in the spiritual domain of the soul; and for medieval thinkers, the latter was the primary domain of the Real.â
âWhen modern science swept away this dualistic symbolic schema, Europeans came to see themselves as inhabitants of a Euclidean void: we lived on a planet that orbited an insignificant star in potentially infinite space. As described by geometry and physics, this space was understood to be controlled by mathematical laws. And, in this despiritualised, Euclidean space, human figures, including Christ and the saints (now equally subject to natural law) were necessarily depicted at the same scale. The homogeneous, featureless Euclidean void, which forms the backdrop to Galilean and Newtonian science, has its visual correlate in the homogeneous scheme of perspectival representation that unified earthly and heavenly space. Now all objects were placed within a single frame of reference.â
âPerspective, delightfully known in the 13th century as âgeometric figuringâ, enabled artists to simulate the illusion of physical depth, but it removed the metric by which they had previously represented moral depth. Just as art became literal rather than iconic with the advent of modern science, our concept of a moral universe became subject to homogenisation, and finally to a kind of erasure.â
âIf the condition of the world is mathematical, and the space of reality is geometric, then canât we dispense with the spiritual stuff and just get on with the business of plotting our coâordinates in Euclidean space, refining in ever more detail the âlawsâ that operate within it? Thus was born materialism, which viewed humans as purely physical objects made up of component parts moving in space according to mathematical laws. De-souled, stripped of a cosmic connection to God, humans became sub-units of the world-machine.â
âAlthough full-blown materialism (an early variant of physicalism), wasnât articulated until the 18th century, its shadow was already hovering in Galileoâs 17th-century distinction between objective and subjective qualities. In his book The Assayer (1623), Galileo wrote: âIf ears, tongues, and noses were removed, I am of the opinion that shape, quantity and motion would remain, but there would be an end of smells, tastes, and sounds.â Shape, quantity and motion â these were not only the objects of science, they were the primary reality.â
âHere was presaged a future that Descartes had struggled to avoid. For while Descartes championed mathematical science as a way forward for understanding the physical world, as a Catholic, he also insisted on the reality of the Christian soul. Hence his famous dualism, with its two domains of being: the res extensa (the extended realm of matter in motion), and the res cogitans (the realm of thoughts, feelings, emotions and moral action). Descartes wanted to preserve the essence of medieval dualism while simultaneously opening up a space for mathematical science. This was his special genius; he invented co-ordinate geometry (enabling us to better navigate inert Euclidean space), yet at the same time he attempted to âsaveâ the phenomenon of the soul.â
âHeaven and hell arenât only Christian places: they are also states of mind. Whatever our bodies are doing in physical space, we also inhabit psychic space and we need ways to talk about the states that minds are in.â
âHenry James, Marcel Proust and Franz Kafka propel us into the unique sensibilities of their protagonists. James, whose writing has been likened to a literary version of impressionism, was deeply interested in representing the consciousness of his characters, while his brother, the psychologist and philosopher William James, gave us the term âstream of consciousnessâ to describe the flow of thoughts, feelings and ideas that ramble through our minds. James coined this term in his book The Principles of Psychology (1890), and in the early decades of the 20th century it came to be associated with such quintessentially modernist writers as James Joyce.â
âBut perhaps most surprisingly, just when the âstream of consciousnessâ was entering our lexicon, physicists began to realise that consciousness might after all be critical to their own descriptions of the world. With the advent of quantum mechanics they found that, in order to make sense of what their theories were saying about the subatomic world, they had to posit that the scientist-observer was actively involved in constructing reality. At the subatomic level, reality appeared to be a subjective flow in which objects sometimes behave like particles and other times like waves. Which facet is manifest depends on how the human observer is looking at the situation.â
âForty years ago, the American theoretical physicist John Wheeler proposed a series of thought experiments to test if an observer could affect whether light behaved as a particle or a wave and, in 2007, the French physicist Alain Aspect proved that they could. Just this April, Nature Physics reported on a set of experiments showing a similar effect using helium atoms. Andrew Truscott, the Australian scientist who spearheaded the helium work, noted in Physics Today that â99.999 per cent of physicists would say that the measurement⌠brings the observable into realityâ. In other words, human subjectivity is drawing forth the world.â
âPain is surely like this too: it must have neurological correlates otherwise we wouldnât be able to react to withdraw a hand from a flame and save our bodies from damage. (People who lose the ability to feel pain quickly succumb to injuries.) At the same time, pain transcends its physical dimensions, as do the many species of misery catalogued in Danteâs Hell, and represented to us in daily news accounts of the effects of war on millions of people today.â
âGiulio Tononiâs book Phi (2012) asks the question: âHow could mere matter generate mind?â As a neuroscientist, Tononi says this is a mystery âstranger than immaculate conception⌠an impossibility that defie[s] beliefâ. Nonetheless, he offers us an explanation of consciousness grounded in information theory that has been admired by both Tegmark and Koch. He wants to do for psychic phenomena what Descartes, Galileo and their heirs did for physical phenomena: he wants to explain subjective experience by generalised empirical rules, and he tells us that such experiences have shapes in a multidimensional mathematical space.â
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